Three Billboards outside Ebbing, Missouri (2017)

Dark humor in an edgy looking story jammed packed with character actors galore.  Why wouldn’t I want to see this film?

The movie is about a broken woman whose daughter had been raped and murdered less than a year earlier and the crime is still unsolved.  She decides to purchase advertisements on three billboards outside of Ebbing, Missouri, essentially publically calling the police out for not doing their jobs.  This gets the attention of the police station and stirs things up around town.

The film was written and directed by Martin McDonagh and the noteworthy cast includes Frances Mcdormand, Woody Harrelson, Sam Rockwell, Peter Dinklage, Caleb Landry Jones, Abbie Cornish, Lucas Hedges, Zeljko Ivanek, Christopher Berry, John Hawkes, Clarke Peters, and Darrell Brit-Gibson.

The casting is superb.  The characters are excellent.  Rockwell and Harrelson are likable jerks (as they often are).  They play their parts well.  Mcdormand steals the show with her best performance in years.

The multiple characters stories join together well in a web of darkness.  The movie allows its cast to take their time to develop their characters in an overly dysfunctional drama.  They really did not disappoint.

Three Billboards outside Ebbing, Missouri is a blunt force.  It has the right amount of dark humor carefully thrown into the mix to break up the brutal honesty of the film.

This film is a miserably twisted tale that goes to some dark places.  You can really feel the pain and anguish on screen.  However, it leaves those places leaving you feeling better about the whole thing afterwards.

There is more cussing in this film than I have heard in a newer film for a while.  The dialogue and writing are top notch.  I enjoyed how the film did not really edit itself.  It may not be much for the politically correct crowd.  If you cannot handle harsh language, this movie is not for you.  Given some of the horrible situations in this film, I feel that the language was justified and also more realistic.  It served as another tool to get the point across.

The movie pushes the boundaries on what you expect.  Lots of surprises keep you guessing throughout.  It’s witty and charming, but in a dysfunctional, hellish way.

I rate this movie a 9 on a scale of 1-10.

If you liked this film then you might also enjoy:

Fargo (1996)

North Country (2005)

The Way, Way Back (2013)

Mr. Right (2015)

Choke (2008)

Matchstick Men (2003)

Out of the Furnace (2013)

Triple 9 (2016)

Zombieland (2009)