Miller’s Crossing (1990)
The Coen brothers (Joel Coen and Ethan Coen) really started to get noticed after writing and directing Fargo (1996). The popularity of the indie writers and directors continued to increase with each movie that they made together. However, when most people look back on the Coen brothers’ career as filmmakers, they usually don’t look further back than Fargo. Miller’s Crossing seems to fall between the cracks.
I was 4 years old when this movie was released, but I watched it for the first time when I was 13 years old. It was the first Coen brothers’ movie that I had seen and it was the beginning of a new friendship.
Miller’s Crossing is a gangster film about Tom Regan (Gabriel Byrne), a heavy gambler and trusted confidant to two rival mob bosses during the 1920s. Regan finds himself caught in the middle of a power struggle and all out gangland war while trying to manipulate both sides against each other.
The movie was written and directed by Joel and Ethan Coen and the rest of the noteworthy cast includes Albert Finney, Jon Polito, John Turturro, Marcia Gay Harden, Steve Buscemi, J.E. Freeman, Mike Starr, Olek Krupa, and Michael Jeter.
The film is an excellent homage to the James Cagney and Humphrey Bogart gangster movies of old. The writing and directing is flawless. The Coen brothers resurrected the 1920s gangster era all the way down to the soda bottles, pocket watches, fedora hats, tommy guns, rotary phones, pinky rings, dirty coppers, smoking jackets, robes, stogies, custom three piece suits, and of course, the model T. The costumes and set designs were perfect.
The movie has an R rating, but I don’t think that rating would live up to today’s standards. There is hardly any swearing, and the sex is insinuated. There is violence, but it is not extremely graphic. One scene shows a girl topless, but she is wearing nipple tassels. As far as I’m concerned, that’s frontal side-boob. I don’t think that alone is enough to garner an R rating. In other words, the movie is basically PG-13.
My oldest brother once pointed out to me how the Coen brothers love having big guys sitting behind desks arguing or yelling at people sitting across from them. He was right. Watch almost any Coen brothers’ movie and you will get just that. I think the reason behind this is that usually the dialogue in their movies is so very well-written. An office setting is a good place to get the point across. People tend to pay more attention to you if you are behind a podium or desk, especially if you are yelling or arguing a point. Just look at Barack Obama, or Hitler. Don’t get me wrong, both men are opposites, but both men could definitely deliver a speech. As bad as Hitler was, people eat up what he said like it was candy. They did the same for Obama. Well thought out dialogue delivered to an audience with explosive vigor while standing behind a podium or desk is enough to get people to listen. It certainly has worked for the Coen brothers and Miller’s Crossing is a classic example of that.
The Coen brothers were lucky enough early on to be able to get great actors to act in their movies. This is harder to do for independent filmmakers. Miller’s Crossing is one of my favorite Gabriel Byrne films. He gives a slick performance and it must have been contagious because in my opinion, this is Albert Finney’s best movie. Marcia Gay Harden easily transforms into a 1920s dame and does a likable job. This is the first movie that I really liked John Turturro in. Jon Polito gives his best performance channeling the likes of Edward G. Robinson. Steve Buscemi spits his dialogue like a pro. It was as if J.E. Freeman was plucked right out of a 1920s gangster movie. He played his role that well. These actors have all worn many different hats. This one fit them all like it was tailor made just for them.
Like fine wine, Miller’s Crossing gets better with age. If you are a Coen brothers fan already, you will most likely enjoy this movie. It is one of my favorite Coen brothers’ movies. It’s a classy gangster film.
I rate this movie a 9 on a scale of 1-10.
Buy, rent, or run? Buy.
Broken City (2013)
Mark Wahlberg and Russell Crowe both let their presence be known in Broken City. Each man carries himself with such tenacity and vigor that when you put them both in the same movie together, you are certainly in for a show. Put them both in the same scene, and you are in for fireworks.
In this film, Crowe reminds us all just how powerful his acting can be. He seemed like he was very comfortable with his part and was having a lot of fun with it. That aspect of it was pretty obvious and made the movie more enjoyable.
Wahlberg has been choosing his movie roles very carefully lately, and makes yet another wise choice. He has definitely shown us that he can act with the best of them and delivers another very raw, intense performance. Obviously he is the lead in this film and he was billed first before Russell Crowe, but I think that he has rightfully earned that position. He has paid his dues and has reached the superstar status.
The movie is pretty dark. It is filled with deceit, dirty cops and politicians, murder, and violence. It’s almost scary how well it was all depicted. It was all very well written, well directed, and skillfully filmed. It was all rounded out by a superb supporting cast: Catherine Zeta-Jones, Barry Pepper, Jeffrey Wright, and Kyle Chandler. The latter three of those four are all very solid character actors and they were all at their best.
I have noticed a trend recently. Female lead characters have not had much of a chance to develop their characters in movies. It just seems that more and more, actresses are not given too many lines or very big roles in larger movies as of late. They may be main characters, but the men usually dominate the film. Obviously this happens a lot in movies, but usually when the movie has a big budget and a high caliber cast, it also gets a couple of strong female lead characters to go with it. Broken City continued the trend of weak or underdeveloped female lead characters. This may have taken a little bit away from the movie, but at the same time could have contributed to how and why the male characters went off the deep end. Their female counterparts were a little too withdrawn.
Broken City was reminiscent of old Humphrey Bogart private detective movies such as The Maltese Falcon (1941), or The Big Sleep (1946). Of course it is a new age and more intense film than those were, but it just reminded me of them while I was watching it. Those were classic films that were fun to watch.
Overall, Broken City was a very strong, entertaining film.
I rate this movie an 8 on a scale of 1-10.
Buy, rent, or run? Buy.
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