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Getaway (2013)
Getaway (2013)
I was very skeptical about whether or not I would like Getaway before watching it. I normally enjoy Ethan Hawke’s films, and recently he has made some good choices, i.e. Sinister (2012) and The Purge (2013). However, Getaway appeared a little sketchy to me. I held off seeing the movie in theatres because I was very unsure about it, but I had to at least give it a chance on DVD.
The film is about an ex-racecar driver (Ethan Hawke) whose wife has been kidnapped. In order to try to get her back, he is forced by the kidnappers to drive and do whatever he is told while leaving a trail of destruction and evading cops all over the city. He is given missions with time limits attached. Along the way, he gets caught up with a young woman whose car he was required to steal. The two of them are in for a wild ride that will hopefully help him get his wife back.
The movie was directed by Courtney Solomon and the rest of the noteworthy cast includes Jon Voight, Selena Gomez, Rebecca Budig, Paul Freeman, and Bruce Payne.
The film gets your attention immediately. It sort of has a Taken (2008) meets The Transporter (2002) feel to it, at first, but that quickly diminishes. The high-speed car chases start out flashy and exciting set to the tone of dramatic car chase music. Eventually the whole movie turns into one big car chase that will not end soon enough.
Getaway is actually pretty decent until the appearance of Selena Gomez. Her character enters and the movie slams on the breaks and crashes. Gomez brought nothing to her role in the film except for very poor acting skills and utter annoyance. I found myself quickly hoping that her character would just die off. However, I’m not even sure if her poor performance was her fault. Everything about the character that she played seemed unbelievable. The writers really dropped the ball when they came up with her part in the story. This sort of had a snowball effect.
The whole movie spun out of control. It stopped being fun and entertaining. Instead it just felt tacky and fake. The car chases were nothing new and the story stopped making sense. Things became too far out and predictable. Even though he still was, it felt like Hawke was no longer in the driver’s seat. There was nothing that he could do to steer the film into the right direction.
I thought that Getaway would at least be a fun ride to get distracted on for a little while. Instead, I wanted to get off before the ride was over.
I rate this movie a 4 on a scale of 1-10.
Buy, rent, or run? Run.
Midnight Cowboy (1969)
Midnight Cowboy (1969)
Midnight Cowboy is a supposed classic that I figured was about time that I watched to see for myself.
The film is about a wannabe cowboy named Joe Buck (Jon Voight) from Texas who moves to New York City to become a gigolo. Joe becomes friends with a sick and crippled con man named Ratso Rizzo. Both men struggle for survival living on the streets.
The film was directed by John Schlesinger and the rest of the noteworthy cast includes Sylvia Miles, Bob Balaban, John McGiver, Brenda Vaccaro, Ruth White, and Jennifer Salt.
This movie did not really seem like it would appeal to me. The only reason I wanted to watch it was to see Hoffman and Voight before they were really famous. It didn’t look good and the storyline didn’t interest me at all.
I hated this movie. It was terrible. That might annoy some people because somehow Midnight Cowboy managed to win 3 Academy Awards including Best Picture, Best Director, and Best Adapted Screenplay. But, I don’t care. Midnight Cowboy was a joke.
The only decent things about the film were Dustin Hoffman’s performance, the scenery of New York City in the 1960s, and the movie’s theme song “Everybody’s Talking at me” by Harry Nilsson.
The rest of the film was stupid, messed up, a little disturbing, and most of all, pointless. It is the misadventures of two low-life wannabe hustlers. An uneducated man travels across the country on a bus to prostitute himself. It does not sound good and it is not good, plain and simple.
True Grit (1969) and Butch Cassidy and the Sundance Kid (1969) were both far more deserving of an Academy Award for Best Picture that year. The fact that Midnight Cowboy won is a travesty.
I rate this movie a 1 on a scale of 1-10.
Buy, rent, or run? RUN!